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Monday, July 2, 2012
Darang
Darang is a story about a girl named Akemi who in her desire to fulfill her longing for Elmo found herself trapped in a prison of her own making. Until she met Samuel who has so much resemblance with Elmo. From the time Samuel lives with her as a boarder, her sexual urges intensely awakened believing that Samuel can take the place of her long lost sweetheart Elmo, who has a brush with the law and gets killed in a shoot-out when they were escaping with the looted money. Will Akemi be drawn to the heat of her desire or will she defy all odds just to be with the man she longs for?
This movie is directed by Lucas Mercado of Libido.
Scorpio Nights

Scorpio Nights (Peque Gallaga, 1985)
Park Jae-ho's Summertime (2001) is an observation of a young man's descent into sexual adventurism. The man, an activist who is hiding from the authorities, lands in an apartment directly above that of a married couple. Through the several holes on his floor, he observes the man from downstairs having sex with his wife, who seems to be in a mechanical trance. One night, the activist proceeds downstairs, pretends to be the husband, and makes love to the wife, who is again in a mechanical trance. When the wife discovers that it is the activist and not her husband who is having sex with her, she consents, and the two engage in an extremely dangerous love affair. The erotic escapades happen amid a backdrop of Korean political unrest, blatantly in display during the non-sexual moments of the film. Sadly, Summertime is quite simply an unenticing piece of muddled erotica.
Scorpio Nights, the 1985 film that directly inspired Park's beautifully photographed but inert dud, is undoubtedly the better film. Scorpio Nights tackles one hot summer where a student (Daniel Fernando) is left alone in his dorm room, which is directly above the apartment of a security guard (Orestes Ojeda) and his wife (Anna Marie Gutierrez). The student peeks through one of the holes that separate their rooms, observes the couple having sex at night, assumes the identity of the husband to have sex with the sultry wife, gets addicted to the dangerous relationship, and finally meets a grisly end. Minus the very specific historic-political setting of Summertime, plot-wise, the two films are almost identical. However, Scorpio Nights achieved an unsurmountable atmosphere of fetishistic, fatalistic and erotic danger that Summertime can never do so with its period-piece, self-important yet soft core pornographic approximations.
What differentiates the two films is its setting. Scorpio Nights, unlike in Summertime with the antiseptic interiors of the secret lovers' love nest, gloats in excessive filth, palpable heat, and unbearable humidity. Director Peque Gallaga, who started as production designer for great Filipino directors like Eddie Romero (Ganito Kami Noon, Paano Kayo Ngayon (This Was How We Were, What Happens to You Now, 1976)) and Ishmael Bernal (Girlfriend (1980) and City After Dark (198o)), exemplifies a very keen eye for detail. Gallaga's Oro, Plata, Mata (Gold, Silver, Death, 1982), which many local critics regard as his masterpiece, is the paramount example of a work of a production designer-turned-director. The film is sumptuous to look at; the period details are pitch perfect; there is a fathomable attention to outward aesthetics (the famous exodus scene where rows of people and their carabaos pass by a backdrop of burning houses is one spectacular feat). That aesthetic sense common in most production designer-turned-directors, once translated in a story that inhabits a world of upstairs-downstairs sexual trysts and societal repression, results in one of the most thematically intriguing, visually arresting, and sweaty-and-kinky erotic films ever made.
Scorpio Nights is almost entirely shot inside a low-income compound that houses a boy's dormitory (the interiors are essentially masculine, with calendars and posters of scantily clad women adorning the walls; also representative of that repressed attitude towards sex (or anything that was abhorrent to Ferdinand Marcos' concept of new society) that is very particular during Marcos-era politics), several single-family dwellings, a welding shop, a basketball court, and a communal bathing area. The area is in itself a masterpiece of production design (by Don Escudero). The courtyard (if you can even call it that) is the perennial meeting place, a flea market of invaluable rumors and stories of macho conquests. Separating these areas are hole-infected partitions, glass windows, and flimsy plywood doors. Certainly, privacy is a luxury here thus, the entire compound is practically the breeding ground for future rapists and sexual deviants with its daytime banter of seedy type and its nighttime invitation for voyeurism and other acts.
The grime, rust, and mud that line that quintessential Manila compound only emphasize the lowlife morality that fuels the near-ridiculous storyline. During its non-erotic moments, the film takes a neo-realist stance at least up to the point wherein the student discovers the unlikely phenomenon of having his sexual fantasies turn into his present reality. Gallaga then revels in erotic camp, of pink mosquito nettings enveloping lustful lovers at the height of their sexual activity; or transparent raincoats hiding their naked bodies from the rain. During those moments of zany visual and sexual excesses, we get a glimpse of exactly why the allure of the downstairs wife is unbearable, even to the point of fucking in the midst of the threat of death. It's that unwavering boyhood fantasy that Gallaga so excellently wants us to believe in; and if we don't necessarily believe in that fantasy overcoming reality, at least it was one hell of a ride.
Ate

Title:
ATE
Running Time:
110 mins
Lead Cast:
Ara Mina, Cristine Reyes, Paolo Paraiso, Ian Veneracion, Eddie Garcia
Director:
Lore Reyes
Producer:
Ara Mina
Screenwriters:
Peque Gallaga, Gina Marissa Tagas, Lore Reyes
Music:
Editor:
Genre:
Drama
Cinematography:
Distributor:
Reality Entertainment
Location:
Philippines
Technical Assessment:
Moral Assessment:
CINEMA Rating:
For mature viewers 18 and above
Si Helen (Ara Mina) ay isang mahigpit na Ate sa nakababatang kapatid na si Cleo (Cristine Reyes). Simula’t sapul, si Helen na ang nag-alaga sa kapatid. Subalit nasasakal na si Cleo sa nagiging paghihigpit ng kanyang Ate Helen lalo na kung ang pinakikialaman nito ay ang kanyang buhay pag-ibig. Minsang inutusan ni Helen ang asawa niyang si Dave (Paolo Paraisio) na paghiwalayin si Cleo at ang nobyo nitong patapon na at ito ay ikinasama ng loob ni Cleo. Sa kabilang banda ay dumadaan sa matinding pagsubok ang pagsasama nina Helen at Dave. Hindi sila magkaanak matapos ang limang taon nilang pagsasama. Dahil kumpirmadong si Helen ang may diprensiya, unti-unting nanlalamig sa kanya si Dave. Dala ng kani-kanilang emosyon, magkakaroon ng ugnayan sina Cleo at Dave lingid sa kaalaman ni Helen na pilit binabalikan ng dating kasintahang si Lex (Ian Veneracion).
Maayos ang pagkakagawa ng pelikulang Ate at mahusay ang sinematograpiya at pagkaka-edit na siyang nagbigay ng bagong bihis sa halos palasak na kuwento ng mag-ate. Pasado rin ang pag-arte nina Ara Mina at Cristine Reyes. Bagama’t maikli ay markado ang papel ni Eddie Garcia bilang lolo. Si Paolo Paraiso naman ay medyo hilaw pa sa pag-arte. Ayos na sana ang kuwento sa kabuuan ngunit maraming butas ang kailangan pa nitong punan. Napabayaan ang karakter ni Lex. Hindi rin gaanong malinaw ang pinanggagalingan ng galit ni Cleo sa kapatid. Pawang mga kababawan kasi ang dahilan ng kanyang pagkamuhi dito. Hindi rin kumbinsido ang manonood na basta na lang mai-inlove si Dave kay Cleo ganung mas may mga higit na katangian si Helen. Wala ring sapat na eksenang nagpapakita na sila Dave at Cleo ay nagkakapalagayang-loob. Panay pagtatalik lamang ang kanilang ginagawa sa tuwing sila’y nagkikita.
Maaaring nangyayari sa totoong buhay ang kuwento ng Ate at kapuri-puri ang hangarin ng pelikula na bigyan ng bagong anyo ang kuwento. Ngunit sadyang nakakabahala ang pinakita nitong kinahinatnan ng mga karakter na nagkasala. Walang naparusahan, walang naghirap at wala ring lubusang nagsisi. Pawang lahat sila ay panahon at pagkakataon ang sinisisi at hindi ang kanilang sarili. Paanong ang isang nakiapid sa asawa ng kapatid ay hindi man lang nagsisi sa kanyang ginawa at naging mapagmataas pa ito? Paanong ang isang asawa ay hindi man lang naghirap ang damdamin at hindi binagabag ng konsensya matapos lokohin ang asawa? Bagama’t maganda ang mensahe ng Ate ukol sa pagmamahal at pagpapatawad, nakababahala naman ang mensahe nito sa mga kabataan na pawang kinokonsinte ang pagrerebelde at pre-marital at extra-marital sex. Marami rin eksenang maseselan na hindi angkop sa batang manonood.
Tiltil

The plot of the movie unfolds through the testimonials of three young sisters: Uring (Pia Peron), the eldest, Luray (Sachi Sanders), next to the eldest, and Elya (Jean Andrews), the youngest who recount the grisly sexual molestation they experienced from their adoptive father Timo (Michael de Mesa).
The title was taken from the sisters’ work as stone tillers in a quarry where most residents earn their living. Apart from being an alcoholic and gambler, Timo is a sex pervert.
According to the testimony, Uring was the first to be molested and it happened several times. Her mother (Alma Moreno) tries to report to the authority but she could only try.
Upeng dies of falling from the cliff for no apparent reason. Meanwhile, Timo moved from Uring to Luray to feed his sexual appetite. When he’s had enough of her, the next sexual prey is Elya though her elder sisters will do everything to protect her to the point of volunteering themselves in place of Elya only to be shocked when Elya appears to confront her two sisters for being so selfish before confessing that she had been waiting for her “turn.”
Coco Martin
Michael de Mesa
Alma Moreno
Sachie Sanders
Jean Andrews
Pia Peron
Jet Alcantara
Miguel Hernandez
Tonio Quiazon
Emil Sandoval
U Belt (2004)

- Aleck Bovick
- Michelle Estevez
- Maricar Fernandez
- Danna Garcel
- Jay Manalo
- Ian De Leon
Mga Babae sa Isla Azul
Bugbog Sarado

The story opens with Brandon and Shy, negotiating for a lease of an old room owned by Stella. Brix, a travelling salesman and Stella’s live-in partner deals with the couple in behalf of the landlady. Little do they know that inside the mysterious house lies a perplexed truth. One night, Brandon is awakened by muffled sounds of screams and sobs. Recognizing it as Stella’s voice, Shy restrains him from going to the master’s bedroom to check. As the days go by, more noises emanate from the bedroom. After finding Stella emerge with fresh bruises, Brandon becomes more curious to know the deeper indignities of the abuse. At one point, Brandon unwittingly becomes witness to Stella’s bedroom torments, and a series of puzzling slay and murder takes place. “Bugbog Sarado” shapes up the frames of sadism and masochism. It intensified the sounds of pain and protest in discovering the real encounters inside the bedroom of abused women.
Wednesday, June 27, 2012
No Regret (English Sub) uncut version
No regrets
Su-min is an orphan who, having turned 18, is required to leave his orphanage. Unable to pay for university, he heads for Seoul where he works various jobs to pay for computer classes. One of those jobs is driving drunks home from bars. After losing his factory job, Su-min ends up taking a job at a host bar. Initially the boss of this host bar is reluctant to take him on, as he knows from experience that openly gay hosts will often leave when they become romantically involved with one of their clients. Having given up on love, Su-min believes that this won't happen to him, until one day a man from his past enters the host bar. That man, Jae-min, is a former driving client, who has fallen in love with Su-min. Su-min refuses his advances, and accepts him as a client only once, and threatens to kill him if he hires him again. Jae-min is undeterred, and after several weeks go by, Su-min gives in. They are very happy in their relationship until Jae-min's mother discovers them together. She orders Jae-min to marry the woman he's been dating halfheartedly. Su-min is angry. With another man from the host bar, they kidnap Jae-min one night and take him to a shallow grave in the forest. Su-min watches passively as his colleague throws dirt on Jae-min, but eventually moves to stop the plan. His colleague already depressed over a two-timing girlfriend, whacks Su-min with the shovel and leaves the two there in the grave. Jae-min later awakens and takes Su-min to the car and they crash a tree while going back. As dawn breaks in, the two of them start to awake at the same time cops show up at the scene but inside, without paying attention to the cops, Su-min and Jae-min silently reconcile.
[edit]Cast
Lee Yeong-hoon ... Su-min
Kim Nam-gil (as Lee Han) ... Jae-min
Jo Hyeon-cheol
Kim Dong-wook
Jeong Seung-gil
Lee Seung-won
Hwang Choon-ha
Kim Jung-hwa
Lee Seung-cheol
Wednesday, May 30, 2012
Tuesday, May 29, 2012
Paru-parong Rosas 2006 Eng Sub
Monday, May 28, 2012
Pantasya 2007 Eng sub
A digital feature has five episodes that all deal with wild gay fantasies involving men in uniform. It starts with "Biyahe," about a jilted taxi driver and his jealous passenger who find comfort in each other's lovesick arms. The second episode is "Linya," about a lonely homeowner whose phone conks out. Two handsome repairmen arrive and they end up engaging in a dizzying threesome. Next is "Laro," about four basketball players who are taking a shower in the locker room after an intense game, and a shy guy who takes a peek at them and later joins in the fun. "Bilis" is about a hunky delivery boy in a hurry who delivers pizza to a bored yuppie who is working overtime in his office. They get instantly attracted upon seeing each other. The last episode is "Bantay," about a horny security guard in the graveyard shift. He sees two lovers fighting. Rhyme dumps Jon and Jon finds solace in the arms of the easy going guard.
Friday, May 18, 2012
Private Romeo
Ausente (Absent)
Ausente (Spanish) [Absent]
I have never ever seen such a long scene of sexual tension built up as it was shown in this movie. And at the same time, I have never been in a theatre with such pin drop silence because there are no scenes that evoke laughter. You are just waiting and watching as to whats going to happen next. I dunno if it is right to call this film as a thriller but there is a different thrill that you feel while watching the movie. I thoroughly enjoyed it.16 year old Martin finds his swimming instructor Sebastian very attractive. One day he fakes of an eye injury in the class, and Sebastian take him to the hospital. Martin has already planned in his mind a web of lies for why he cannot go back home and finally succeeds in getting an invitation from Sebastian to sleep at his house. But thing are not simple as they seem. The night seems pretty long where neither of them is able to sleep really well. Sebastian next day finds out that Martin's parents were looking for him all night. He also finds a note in his car from Martin apologizing for telling him the lies. When Sebastian confronts him, he very openly tells him that he was hoping something will happen between them that night. This infuriates Sebastian and he hits him. Things are not same. Now Sebastian is having weird feelings and he cannot even concentrate on his girlfriend. He keeps thinking of Martin. Martin meanwhile stops coming to swimming class and is spending more time with his friends. In an unfortunate accident Martin dies and this is when Sebastian has to deal with his emotions. He recalls how maybe on some occasions he might have possibly given the boy some hints and starts questioning his own feelings for the boy. Guilt struck, he is now hoping that somehow Martin will forgive him for what he did.
You have to really watch the film to closely absorb the beauty. The entire night sequence where Martin stays at Sebastian's house and events unfold is simply superb. There is so much sexual tension on the screen that as a viewer it was a completely new experience for me trying to anticipate what can happen next. Another beauty of the film is that there is no heightened drama or dialogues or anything. None of the scenes have been filmed with melodrama, however drastic they are. The subtlety of these scene make a much more stronger impact. The end is so beautiful when Sebastian follows the image of Martin in his head in the swimming club just hoping to be forgiven. Excellent acting and a fantastic direction. It is an incredible sexy drama of repressed passion, guilt and regret. The slow build of the characters is fabulous with the relationships unfolding, refolding and unfolding back again.
Sunday, May 13, 2012
Booking
Here's the teaser of the movie "Booking" By Joven Tan. The movie stars Frontal Nudity King Marco Morales and Award-Winning Actor Emilio Garcia. It also starts Snooky Serna, Mercedes Cabral and Ms. Anita Linda.
The movie will be shown on TODAY!!!
Ombre
OMBRE tells the story of Jake, an aspiring actor who went to Baguio City for a reality star search audition. There, he meets Dennis, a photographer from Manila. Both stay in a transient house owned by Dennis’ gay best friend, Brix.
Jake is a dreamer.Dennis is a searcher who just got out of rehab.They became friends and secret lovers. While both of them have special someone waiting back in Manila, it becomes clear that there’s a bond between them that they’ve never felt with other people, and this feeling begins to grow into something deeper.Is this LOVE?
Perfect Love (eng sub)
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Tuesday, May 8, 2012
Vhagetz
Description: Vhagetz /2007) Category: Gay-Theme, Drama Label Others Tagalog Movie Vhagetz is about pre-teens coping with being gay, a story of friendship that blossomed in a squatters' area. Jessie (Alec) is a diligent student who enjoys his father's (Richard Quan) acceptance. He has sworn to his father not to do anything that will disgrace himself and his family. We bet when you leave the theater, you would have memorized by heart the often repeated dialogue of Quan. We even advise you to follow it. Sam (Edeel) prefers dancing to studies, thus alienating himself more from his already uncaring mother (Dexter Doria). Paquito (E.J.) is being maltreated by his father (Mon Confiado) for his being gay and for a deeper reason the son will soon discover. Then there's a lola-lolahan (Cris Daluz) a fag hag, a real late bloomer. Something unexpected happens to Lola Jak and there's the twist in the story. When there are gays, there must be someone they can fantasize about. Enter Jordan Herrera as their friendly neighbor named Efren. Directed by Joven Tan EJ Jallorina Jr Edsel Villanueva Alec Romano Richard Quan Dexter Doria Jordan Herrera |
Sunday, May 6, 2012
Dose (Twelve)
Dose (Twelve) : The Trailer That Was X-Rated by The Philippine Censors
A curious boy. A lonely gardener. A love that knows no age or gender. Trailer rated X by the Philippine movie censors! :-) Starring three-time Brussels Int'l Filmfest Best Actor, YUL SERVO and 2008 Thessaloniki Int'l Filmfest Best Actor, EMILIO GARCIA. A story of unusual love, unstoppable lust, and loss of innocence. Watch out for it in film festivals around the world...
Sorry im working on its full movie, but it takes time .. :(
I also want to watch this movie , ok so im working very hard for it.
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As he blows the ball
A Super Sad story about reality in life :((
Just watch it ok?
Sorry for the bad begging..
I don't know why they have that kind of opening..
GRRR
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