Kimmy Dora

Kimmy and Dora (both Eugene Domingo) are identical twins with different personalities. Kimmy is the smart, dictatorial type while Dora is the slow, dumb-wit sister. However, they end up being close to each other and appreciated the love as sisters. The film will focus before the birth of the twins. It was a set-up arranged marriage for their father Don Luisito Go Dong Hae played by Ariel Ureta to a lady with Korean descent. Go Dong Hae refuses to mary and chose Kimmy and Dora's mother as her wife. In the present, an unexpected ghost is surfacing the family's lives and they found out that the Korean lady that is supposed to be married by their father was already dead and they need to quest for the tranquility of their lives by travelling all the way to South Korea.

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Have baby will Date

Fall in love, get married and then have baby.

That was the plan.

But Denise's life turns upside down when she becomes a single mom.

Juggling both a baby and a career, Denise needs all the helps she can get-- even if it's from Coby, infamous playboy and the father of her baby.

Watch this whirlwind romance about finding love, babies, and marriage-- in whatever order.

Directed by Mark A. Reyes.
Valerie Concepcion
TJ Trinidad
Beth Tamayo
Bobby Andrews

Monica Llamas

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Mga PinakaMahabang One Night Stand

A collection of four short films about one-night stands among men with men, Ang Pinakamahabang Mga One Night Stand is good and bad, but still unified: Each story moves in a world after liberation -- where couples can have open relationships and agree to do threesomes, or sex with strangers is a solution to forget our problems. The spirit isprogressive, but also somewhat removed from the rest of the world. There's nary a woman in the cast. I won't be surprised if those unfamiliar with the lifestyle will find themselves either lost or turned off. But there's a promotion of particular values going on here: In the sexually liberated world where sleeping around is accepted, the most important thing is how much we care for our fellow men.
"Wait, Waiter, Wait!", directed by Cris Pablo, is standard unimaginative erotica, in which two men meet in a bar and we simply wait for them to get it on. "Balot", directed by Harvey Estradough, at least has surprises. I can't tell which two men will finally end up together, and it climaxes in a silly, even gross, flirtation using the famous duck egg delicacy. "The Longest One Night Stand", which is actually an old one from 2006, directed by Eduardo Roy Jr., is domestic melodrama weighed down by the hero's self-pity. It stands out from the rest of the films in visual style, because it's the most belabored, and cloying.
The best of the bunch is "Tutok", also by Cris Pablo, which finds the lives of two friends threatened by so-called gay serial killers they met on the internet -- a scenario whipped up from news headlines. The short isn't always stellar technically, but it settles into a thrilling rhythm, with bursts of good humor. A word of caution for adventurous gay men is sneaked in, but what it does right is that it gets us to root for the good guys and delivers on upliftment. The effort is deserving of at least a B, but the entire set gets an average of...                                                                                                                                                                                                                  

                                                  

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Blindside

  

A young playboy beds his sexy officemate, only to discover she has an equally delectable younger sister.

The catch: little sis just recently lost her sight (and her boyfriend) from a car crash.

The upside; she walks around in the nude thinking she's all alone in the house with big sis.

The playboy can't believe his luck.

He schemes to stay in the house while his new girlfriend goes to work the next day and watches the troubled and unsuspecting sister in all her naked glory.

It doesn't take long before the naughty voyeur turns into a reckless predator.

But is his prey as defenseless as he thinks?

Directed by Don Romantico

Andrew Schimmer
Nika Madrid
Raja Montero
Sofia Lee
Clark Concepcion

Nika Madrid
Raja Montero
Sofia Lee
Clark Concepcion

Watch Blindside Movie Online Streaming watch filipino pelikula online watch pinoy bold movies watch tagalog films

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Sex Scandal

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Syota ng Bayan

Syota ng Bayan is Tanya Marquez (Priscilla Almeda), a starlet who quits showbiz and goes back to her hometown. Upon knowing that a cement factory is causing a lot of havoc in the environment and in the lives of her town mates, she challenges the incumbent of Mayor Golano (Eddie Garcia) to have it closed. When denied, Tanya rallies the people in protest but is silenced. The mayor's opponents prevail upon Tanya's to run for mayor in the coming elections against Golano's son, Peter Lee (Tonton Gutierrez). During the campaign period Tanya and Peter Lee meet and fall in love.

In the Philippines, the head of a town or city is the Mayor. He or she is elected by the majority of the residents in the town or city during a local election which may coincide with the national election.

Upon winning, the town or city mayor assumes office for a term of 3 years and may run for re-election for another 2 consecutive terms.

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Liberated

Liberated 2 essays the journey of four modern characters from excelling in sex to knowing how to love. Through games and wild adventures,our protagoinsts come to realize that liberation is not just for the body but also for the heart.

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Pornikula

Tagalog Movie


Peruse unreleased shots too steamy for wide release.


Pore over scenes of the most memorable flesh flicks ever.


Have a look-see at film X-clusives in directors' cuts.


Pornikula: Sex in Philippine Cinema 5 is another thrilling anthology that's chockfull of the most explosive and provocative never before seen film and video footage.


Pornikula features twelve celebrated sex sirens and the hottest names in Philippine cinema.


So, pop in the video, push play and squirm in delight as Pornikula gives you a romp to remember- beginning with a slow and steady rise to a mind-blowing finish.

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Pitik Bulag

Introduced in Pitik Bulag is the sexy starlet Paloma, best known for the April 2009 scorching cover of FHM Philippines. The film will also mark the comeback of Victor Neri and the first starring role of kapuso star Marco Alcaraz.
The movie’s storyline revolves around Angelo, a downtrodden movie stuntman (played by Marco Alcaraz) who accidentally stumbles upon a bagful of millions taken from a bank heist.
Unknown to the bank robbers (led by Victor Neri), the bag fell out of their getaway vehicle during their escape. As they retrace their path, they find Angelo’s wallet, and relentlessly track him down.
Overwhelmed by his sudden stroke of good luck, Angelo shares his story to his wife (Paloma), who convinces him to give part of the loot to the families of the three guards who were killed in the robbery. But their benevolent act doesn’t come easy as they try to dodge the robbers (led by Victor Neri) who are hot on their trail. Suddenly, the action star wannabe finds himself in a real-life movie where he fights for his life and the lives of his loved ones.
Pitik Bulag is written by Eric Ramos and directed by the award-winning Gil Portes (Saranggola, Mga Munting Tinig).
It is set to premiere on Wednesday, June 24, at the Gateway Mall in Cubao. Regular screening starts on July 1 in selected Metro Manila theaters.

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Bigasan

Bigasan Indie Movie is a story of a struggling mediocricity that happens everyday in the lives of many Filipinos. People from this place lives one day at a time. Some were forced to steal just to sustain their daily needs, some aged woman would do anything just to meet both ends, and worst others would sell themselves to get a little money. Every person has his/her story to tell and each chapter of their lives is increasingly layered with swarming realities.
Starring Gwen Garci, Carlos Morales, Joross Gamboa, Irma Adlawan, Ana Capri, Anita Linda, Perla Bautista, Kristoffer King, Charles Delgado, Toffee Calma, Biboy Ramirez and Mon Confiado. This movie is directed by Joven Tan.

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Scorpio Nights 2

Scorpio Nights s a film released in 1985 and is directed by renowned director Peque Gallaga. It is about a love triangle between a young man with a married woman who first got tangled because of their uncontrolled urge to make love. The release of the film became very controversial but played a key role in defining the Filipino erotic films during its decade.

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Ang Kabit Mrs Montero

Cal Montero, a wealthy filmmaker recently paralyzed from the waist down, goes to his hacienda in Negros for recovery and physical therapy. He's morose, but tries to stay in full control. Annie, his therapist, works each of his joints and may have designs on replacing Cal's wife, Gail. Gail is looking for tenderness, and finds it in the shack of Satur, one of the hacienda's workers. Cal and Annie set a spy on Gail, Gail wants to return to Manila to find a job, and unfaithfulness could spark violence. Cal loads his shotgun.

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Balahibong Pusa

Running Time: 

102 min

Lead Cast:

Joyce Jimenez, Jay Manalo, Elizabeth Oropesa, Julio Diaz, Rica Peralejo

Director: 

Yam Laranas

Producer: 

Vic del Rosario

Screenwriter: 

Yam Laranas

Music:

Jessie Lasaten

Editor: 

Manet Dayrit

Genre:

Drama

Cinematography: 

Yam Laranas

Distributor:

VIVA Productions

Location: 

Metro Manila

Technical Assessment: 

• •

Moral Assessment: 

+

CINEMA Rating:  

Not for public viewing

TV advertising director Yam Laranas makes his debut on the silver screen in Balahibong Pusa where Sarah (Joyce Jimenez) is the daughter of widowed Vivian (Elizabeth Oropesa). Back from a summer vacation, Sarah finds her mom living with Michael (Julio Diaz), a car-repair shop owner who promised to marry Vivian. Unknown to mother and daughter, Michael begins to have other plans for the young Sarah. Meanwhile, Michael's daughter Becky (Rica Peralejo) is having an affair with one of his mechanics, Eric (Jay Manalo), who is also Sarah's boyfriend. This web of relationships gets more entangled as expected.

Cinematographer Laranas captures reality through the camera in a skillful and artistic way. Unfortunately, his directorial success in 30-second commercials and short films (Best Short Film, Film Academy of the Philippines and Best Experimental Video, World Video Mondial in Brussels) is no guarantee for a well-made full-length movie. There is nothing original in the story. The screenplay, which Laranas is said to have finished in a weekend, is full of plot holes and silly dialogue, as can be expected from a rush job. The characters are not well developed and the performance of the cast is very poor. Laranas fails in his desire to prove that Joyce Jimenez can act, and is unable to handle more capable actors like Oropesa and Diaz. No amount of production design and technique in the lighting, music and effects can make up for good acting. There are some stray shots and unnecessarily prolonged scenes.

Kittang-kitta ng mga mata… bacat na bacat sa isip ang ganda! From the tagline alone and the title of the movie, which refers to baby pubic hair, one can conclude that Balahibong Pusa is made to whet the male appetite for fleshy exposures. Throw in foul language, voyeurism (paninilip), nudity, pre-marital sex, incest, rape, murder and suicide, starring sexy young actresses and you have the formula for a worthless movie sure to attract the baser instincts of the male audience. Does this reveal what Filipino males value? With the high incidence of rapes and sexual abuse even in the sanctuary of the family, will the Filipino male not stand up for integrity, modesty and true manliness based on sound principles? What are a few minutes of visual pleasure if it can lead to one's destruction and those of one's family? The moral integrity or decline of the nation depends not only on those who lead but also on each individual citizen. Will you continue to be a party to pornography? Think of your mother, your wife, your daughter, your grandmother, or your granddaughter. Don't they deserve a better you?

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Darang

Darang is a story about a girl named Akemi who in her desire to fulfill her longing for Elmo found herself trapped in a prison of her own making. Until she met Samuel who has so much resemblance with Elmo. From the time Samuel lives with her as a boarder, her sexual urges intensely awakened believing that Samuel can take the place of her long lost sweetheart Elmo, who has a brush with the law and gets killed in a shoot-out when they were escaping with the looted money. Will Akemi be drawn to the heat of her desire or will she defy all odds just to be with the man she longs for?
This movie is directed by Lucas Mercado of Libido.

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Xerex

                                                                                              Title:

XEREX

Running Time: 

108  min

Lead Cast:

Aubrey Miles, Jake Roxas, Jon Hall, Kalani Ferreria, Armida Siguion-Reyna, Luis Gonzales

Director: 

Mel Chionglo

Producers:

Lily Monteverde

Screenwriter: 

Roy Iglesias

Music:

Jobin Ballesteros

Editor: 

Jess Navarro

Genre:

Bold/Light-Drama/Suspense

Cinematography: 

Augusto Cruz

Distributor:

Regal Films

Location: 

Manila

Technical Assessment: 

• • •

Moral Assessment: 

+ +

CINEMA Rating:  

For mature viewers 18 and above

Tatlong uri ng mga babae ang naglahad ng kani-kaniyang sexperience na pawang nalathala sa artikulong Xerex: Sa "Kama", si Breezy (Aubrey Miles) ay isang kolehiyala na unti-unting namumulat sa sex dahil na rin sa kanyang modernong Lola (Armida Siguion-Reyna) na bukas sa usaping pagtatalik. Minsan sa isang costume party ay di sinasadyang nakaniig niya ang campus heartthrob na si Hunk (Jake Roxas). Aakalain ni Breezy na si Hunk ay seryoso sa kanya ngunit sadya pala itong mapaglaro kung kaya't gumawa siya ng paraan upang paglaruan at makaganti dito. Sa "O" naman ay malapit ng ikasal si Marge (Aubrey Miles) na naguguluhan kung siya ay tutuloy pa sa pagpapakasal sapagkat hindi niya naranasan sa lalaking kanyang pakakasalan ang rurok ng ligaya o orgasm.  Naranasan niya ito sa isang estranghero (Kalani Ferreira) na kanyang nakaniig ng limang magkakasunod na araw.  Ito ang lalong nagpalala ng kanyang pagkalito.  Isang probinsiyanang elevator girl naman si Jasmin (Aubrey Miles) sa "Butas" na pinagpapantasyahan ang isang matipunong lalaking (Jon Hall) araw-araw sumasakay ng elevator.    Nag-umigting lalo ang kanyang mga pantasya nang masilip niya sa "butas" ang pakikipagtalik ng kanyang bagong kapit-kuwarto. 

Isang makabago at kakaibang uri ng paglalahad ng kuwento ang Xerex.  Nagsubok ang pelikulang tumaliwas sa kumbensiyon ng tipikal na pelikulang bold o drama.  Naging matagumpay naman ang Xerex sa aspetong ito sapagkat pawang batikan ang manunulat (Roy Iglesias) nito't direktor (Mel Chionglo). Maayos ang daloy ng kuwento ng bawat kabanata na hindi lamang nakasentro sa "sexperience" kundi nabigyang lalim at laman din ng pelikula ang mas makabuluhang aspeto ng kuwento.  Wala nga lang malinaw na iisang konsepto ang trilohiya kung kaya't hindi gaanong malinaw ang nais sabihin nito sa kabuuan. May mga mangilan-ngilang sablay din sa editing. Hindi pa rin maikakailang hilaw at malamlam ang pag-arte ni Aubrey Miles. Hindi niya tuloy nadala ang pawang mga baguhan niyang kasama bagkus ay nahila pa niya ang mga ito pababa.  Naisalba naman siya ng ilang batikang artista na di matatawaran ang husay tulad nina Armida Siguion-Reyna at Ynez Veneracion.    

Ang mga kuwentong inilalahad at inilalathala sa mga artikulong tulad ng Xerex ay mga karanasang sekswal (tunay man o imahinasyon) na may layong gawing publiko ang mga kuwentong dapat lamang pinag-uusapan ng pribado. Taliwas sa kanilang pananaw na ito ang paraan upang mapalaya ang repressed na pagnanasa ng mga Pilipino, naniniwala naman ang CINEMA na hindi ang mass media o pelikula ang akmang behikulo sa ganitong layon.  Ang pagkamulat sa seks ay dapat ginagabayan din ng mga nakatatandang may tunay na malasakit upang hindi maging baluktot ang pananaw ng mga kabataan sa seks na kadalasang nagiging ugat ng maraming problema. Hindi naman lubusang naging iresponsable ang pelikula dito. Sinubok din ng Xerex na magbigay-aral at babala sa mga may malikot na kaisipan na pag-isipang mabuti ang mga gagawing hakbangin lalo na sa pagdidiskubre ng mga karanasang may patungkol sa seks.  Gayunpaman, hindi pa rin maitatatwa na naging malabis ang hubaran at bulgar na salitaan sa pelikula na maaaring magkaroon ng malakas na impluwensiya sa mga makakanood.

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Sukdulan

Title:

SUKDULAN

Running Time: 

105 min

Lead Cast:

Katya Santos, Raymund Bagatsing, Carlo Maceda, Bobby Andrews, Daria Ramirez

Director: 

Mac C. Alejandre

Producer: 

Vic del Rosario

Screenwriters:

Edgar Ilao

Music:

Eazer Pastor

Editor: 

Genre:

Drama/Bold

Cinematography: 

Distributor:

Viva Films

Location: 

Technical Assessment: 

• • ½

Moral Assessment: 

+ ½

CINEMA Rating:  

For mature viewers 18 and above

Sa biglang tingin ay larawan si Elaine [Katya Santos] ng isang kontentong babae sa piling ng kanyang asawang si Orly [Raymund Bagatsing]. Ngunit sa likod ng animo'y maayos na pagsasama, may suliranin silang dinadala patungkol sa kakayanan ni Orly sa kama.  Ang suliraning ito'y naging dahilan ng pagiging bugnutin ni Orly na labis na ikinasama ng loob ni Elaine. Dahil dito ay sinubukan niyang idarang ang sarili sa apoy ng panunukso ni Miguel [Carlo Maceda], isang mapusok na binatang nangahas magpakilala sa kanya.  Ninais ni Elaine na magwala at mag-eksperimento at naranasan niya kay Miguel ang kakaibang ligayang hindi niya nararanasan sa piling ng asawa.  Halos mahulog na ang loob niya kay Miguel habang si Orly ay patuloy na nahihirapan sa pagsusuyo sa kanya upang maibalik ang dating sigla ng kanilang pagsasama.  Lingid sa kaalaman ni Elaine ay pinaglalaruan lamang siya ni Miguel at nais lamang siyang isama nito sa kanyang koleksiyon ng mga babaeng naikakama niya.  Mabubulag si Elaine sa pita ng laman hanggang sa umabot ang lahat sa sukdulan na magbabadya ng tiyak na kapahamakan.

Isang simple at halos karaniwang kuwento ng pagtataksil ang Sukdulan na binudburan ng iilang bagong elemento upang mabigyan ito ng panibagong bihis.  Mahuhusay ang pagkakaganap ng mga pangunahing tauhan na sina Raymund Bagatsing at Katya Santos.  Kapansin-pansin din ang husay ni Daria Ramirez bilang bulag na ina ni Orly. Ang baguhan namang si Carlo Maceda ay nangangapa pa sa pag-arte. Kontrolado ang daloy ng kuwento na nakasentro sa babaeng nagsubok magtaksil sa asawa. Ngunit kitang-kitang may mga ginaya sa pelikulang Unfaithful. Hindi rin kapani-paniwala ang maraming eksena ng pagtatalik na ginawa sa mga kakatwang sitwasyon.  Bagama't kathang-isip, malayong-malayo na mangyari ang mga eksenang ito sa tunay na buhay sapagkat kulang sa lohikal na pagsasalarawan ang Sukdulan.  Hindi rin nito nakuhang palalimin ang emosyon at karakter ng mga tauhan.

Talamak na tema sa pelikula sa kasalukuyang panahon ang pagtataksil ng asawang babae. Ang mga ito kaya'y kathang isip lamang o tunay na nangyayari sa kasalukuyan? Maari rin kayang ito ay hindi naman talaga bago ngunit maaaring senyales lamang ng nagbabagong pagtingin at pananaw sa imahe ng kababaihan? Kung ito ay paraan ng paglaban sa namamayaning "double standard" sa lipunan, maaari itong katanggap-tanggap. Ngunit hindi ito ang nagiging kaso tulad sa pelikulang Sukdulan.  Bagama't naging matapang ang bidang babae sa paglaban sa pang-aapi ng asawa, pinalutang pa rin ang kahinaan nito sa pagpapagamit at pagiging sunod-sunuran sa kalaguyong lalaki na pinaglaruan lamang siya.  Lumulutang sa pelikula ang pagsasabi nitong mas matinding parusa sa kapahamakan ang mangyayari kapag ang babae ang magtataksil at kahanga-hanga ang isang lalaking kayang magpaikot ng babae sa kanilang palad.  Oo nga't sinasabi ng pelikula na walang kahihinatnan ang pagtataksil kundi kapahamakan, taliwas pa rin ito sa dami at haba ng mga eksena ng pagtatalik na siyang tunay na bentahe ng pelikula. Walang mabuting mapapala sa pelikulang katulad nito.

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